Monday, July 21, 2008

RAD..greatest BMX movie

The story of Cru Jones, a young man who can overcome all obstacles that prevent him from participating in the BMX race "Helltrack." As he works towards his dream, Cru falls in love with Christian, an amateur racer. With the help of Christian and her friends, can Cru's "Rad Racing Team" defeat the top BMX factory rider, Bart Taylor

Best Part of the movie:

Wednesday, July 16, 2008

History of Black superheros

To begin with, the history of black superheroes is not easily assembled since early on, much of the work was not reported on. There aren't volumes of books out there on the subject, and even if you look at historical books put out by major publishers - the coverage on their own black superheroes is sparse at best.

Also, companies prefer to sweep any negative and stereotypical characters from their past under the rug in order to preserve their images today. Therefore, the search for early black superheroes turns up more negative images than anything else. The history as a whole needs to be looked at in order to fully appreciate the black superheroes being created today.

By the 1940's both Marvel and DC Comics were enjoying major popularity as their fantastic images made their way into the hands of kids everywhere. They have shared a major share of the comics industry ever since. Characters such as Marvel's Captain America, and DC’s Superman and Shazam shared most of the popularity and black superheroes wouldn’t appear until much later. Much like the movie industry - racism directly impacted black comicbook characters who were cast in background roles or as “uncle tom” sidekicks.

Marvel’s first black superhero was named “Whitewash” (the name speaks for itself). Whitewash was a character drawn in full blackface fashion who appeared in the 1940's war comic "Young Allies". (images -1, 2, 3) Notice a common theme in all three cover images? Created for comic effect only, Whitewash was portrayed as a helpless bufoon whose only purpose was to provide laughs as he fell into one dire situation to another. Full of the stereotypes you would expect to see at that time in American history, negative black comic characters were all too commonplace.

Black superheroes were also subject to the negative perceptions of the artists drawing them at the time and therefore a parallel can be made to struggle for equality in America. Marvel’s Black Panther appeared in 1966 (Fantastic Four #52) and wouldn’t gain his own title until 11 years later (how's that for affirmative action?). Followed by DC’s Black Lightning and Marvel’s Luke Cage, poster children for the entertainment industry’s Blaxploitation of the 70’s. Where possible I have included some images from the comics themselves depicting some of these racial situations as they appeared in print. The progress of blacks in comics has an undeniable link to our society's racial issues and I ask you to keep this in mind as we delve into the offensive nature of some of the characters.

In recent years, many African American artists and comics publishers have taken it upon themselves to create and explore more black superheroes. The impact of these independent comics can’t be overlooked so I’ve included them in the museum because they are vital to bringing black superheroes to the forefront of the public eye. With many more black artists drawing, and new black superheroes being created everyday, black heroes are on the rise. Over time, their success will only help to broaden the minds of those who take the time to read and enjoy them. In conclusion, if you know artists that are creating comics, buy their books and support black superheroes!

To: Love ,From: ?

"To love is to suffer. To avoid suffering one must not love. But then one suffers from not loving. Therefore to love is to suffer, not to love is to suffer. To suffer is to suffer. To be happy is to love. To be happy then is to suffer. But suffering makes one unhappy. Therefore, to be unhappy one must love, or love to suffer, or suffer from too much happiness. I hope you're getting this down."
- Woody Allen

Friday, July 11, 2008

STYROFOAM ROBOTS

An associate professor of digital arts at the University of Oregon since 2005, Michael Salter has created a stir in the art world with his "Styrobots," robots made of styrofoam.


Wednesday, July 9, 2008

Photos of Highway Billboards From Below Reveal Death Star Corridors of Doom


When they're not screaming at you to pull off for discount cigarettes, fireworks and porn (at least when you're near the Indiana border), highway billboards are apparently busy looking like menacing space station hallways from below. High-watt chemical lights under night skies make for some fantastic captures, as Slovakian photographer Branislav Kropilak has discovered.

His SIte

Jedi Gym

Tuesday, July 8, 2008

Hancock



I knew the origin of hancock is when the little boy asked about him and the symbol of the hawk that he kept around him. then when I saw his suit he had the hawk on his back with the wings spread. remeber the drawings he put in his jail cell. See the Pyramids. Understand hancock didnt know his origin so when he is alone this IMAGES came out of him.

First you must understand that the concept of a hero and comic book heros come from the understanding of greek mythology. and all greek mythology comes from the story and tutoliage of the Kemtic(eygptian) mystery schools. When the greeks where being taught about their kings and people of war, it was taught in stories. And all of the stories line up to the one story. This story is the oldest record story by man, Before the bible, before babylonian texts. Thousands of years ago this story was written in the great pyramid. Our ancestors chizzled this story of the walls of the the oldest structure known to man. You know it as Osiris and Isis. I am not goin to tell the story, its to long (find writings by Ra Un Nefer Amen). in that story the alagory of the "hero" was presented in the son of Ausar and Auset(OSIRIS AND ISIS) his name was HERU. Which became the root word for herucles. and HERU,was change to HERO, hence the concept of the HERO. When Heru was born he was presented as the HAWK (Horus). To give a lil Hyrogliphic lesson. The reason why the hawk was used to embody this understanding of the HERO is two things.

1. the hawk, flacon, is the highest flying animal on earth. So meaning that having the abilty to RISE above any chalenge, anyy obsticle then any being on earth.
2. It is the only animal on earth that can stare directly into the sun with destorying its pupil. Meaning to have the abilty to SEE in to greatness and not turn away. To SEE its future and go forth, and into SEE in to greatness and not be afraid to go forward.

Now what is the deep thing about Hancock, is one Will Smith is playing him, a black man. Let me explain what is really goin on. If you notice there is a huge influx of SUPER HERO movies being brought to the masses. Images shape your reality. And what is happening is that the Spidermans, Iron mans, batmans, Hulks are images that we as black people on a sub conscious level have NO connection to, but except it as our own. When it comes to black people or people of African Desent( ancestors who didnt expence the Ice age) we have what is known as a "Ancestral Genetic Memory Bank" That goes all the way back to the civilisations that started man. So when a HERO is presented as an Image it has to line up to our HISTORY as a people first. And it just so happens that the FIRST idea of a HERO is of black people. For a black man to answer back as HERU to the Ironmans, Batmans, etc. I am very proud and delighted. The movie was cheesy, but it was in line on how to present a black HERO

Now I know you are thinking that this is too deep and it wasnt what you were looking for. BUT please dont believe anything I have said. Go look it up for yourself.

Monday, July 7, 2008

Untitled

Every year with no knowing, I have passed my day
When the last sunset that once keeps me warm
And the darkness will become day
Back to the future
Like the my first steps.

By: CuBby

Sunday, July 6, 2008

Chello

Believe or else


The things we as people will do and create to put the good word into you or better spray on you. I wonder if they would sell this at church or give these to those to convert and save the world. Very funny i must say. The new axe spray...

51-100 Things You Dont Know About Africa

51. The mediaeval Nigerian city of Benin was built to “a scale comparable with the Great Wall of China”. There was a vast system of defensive walling totalling 10,000 miles in all. Even before the full extent of the city walling had become apparent the Guinness Book of Records carried an entry in the 1974 edition that described the city as: “The largest earthworks in the world carried out prior to the mechanical era.”

52. Benin art of the Middle Ages was of the highest quality. An official of the Berlin Museum für Völkerkunde once stated that: “These works from Benin are equal to the very finest examples of European casting technique. Benvenuto Cellini could not have cast them better, nor could anyone else before or after him . . . Technically, these bronzes represent the very highest possible achievement.”

53. Winwood Reade described his visit to the Ashanti Royal Palace of Kumasi in 1874: “We went to the king’s palace, which consists of many courtyards, each surrounded with alcoves and verandahs, and having two gates or doors, so that each yard was a thoroughfare . . . But the part of the palace fronting the street was a stone house, Moorish in its style . . . with a flat roof and a parapet, and suites of apartments on the first floor. It was built by Fanti masons many years ago. The rooms upstairs remind me of Wardour Street. Each was a perfect Old Curiosity Shop. Books in many languages, Bohemian glass, clocks, silver plate, old furniture, Persian rugs, Kidderminster carpets, pictures and engravings, numberless chests and coffers. A sword bearing the inscription From Queen Victoria to the King of Ashantee. A copy of the Times, 17 October 1843. With these were many specimens of Moorish and Ashanti handicraft.”

54. In the mid-nineteenth century, William Clarke, an English visitor to Nigeria, remarked that: “As good an article of cloth can be woven by the Yoruba weavers as by any people . . . in durability, their cloths far excel the prints and home-spuns of Manchester.”

55. The recently discovered 9th century Nigerian city of Eredo was found to be surrounded by a wall that was 100 miles long and seventy feet high in places. The internal area was a staggering 400 square miles.

56. On the subject of cloth, Kongolese textiles were also distinguished. Various European writers of the sixteenth and seventeenth centuries wrote of the delicate crafts of the peoples living in eastern Kongo and adjacent regions who manufactured damasks, sarcenets, satins, taffeta, cloth of tissue and velvet. Professor DeGraft-Johnson made the curious observation that: “Their brocades, both high and low, were far more valuable than the Italian.”

57. On Kongolese metallurgy of the Middle Ages, one modern scholar wrote that: “There is no doubting . . . the existence of an expert metallurgical art in the ancient Kongo . . . The Bakongo were aware of the toxicity of lead vapours. They devised preventative and curative methods, both pharmacological (massive doses of pawpaw and palm oil) and mechanical (exerting of pressure to free the digestive tract), for combating lead poisoning.”

58. In Nigeria, the royal palace in the city of Kano dates back to the fifteenth century. Begun by Muhammad Rumfa (ruled 1463-99) it has gradually evolved over generations into a very imposing complex. A colonial report of the city from 1902, described it as “a network of buildings covering an area of 33 acres and surrounded by a wall 20 to 30 feet high outside and 15 feet inside . . . in itself no mean citadel”.

59. A sixteenth century traveller visited the central African civilisation of Kanem-Borno and commented that the emperor’s cavalry had golden “stirrups, spurs, bits and buckles.” Even the ruler’s dogs had “chains of the finest gold”.

60. One of the government positions in mediaeval Kanem-Borno was Astronomer Royal.

61. Ngazargamu, the capital city of Kanem-Borno, became one of the largest cities in the seventeenth century world. By 1658 AD, the metropolis, according to an architectural scholar housed “about quarter of a million people”. It had 660 streets. Many were wide and unbending, reflective of town planning.

62. The Nigerian city of Surame flourished in the sixteenth century. Even in ruin it was an impressive sight, built on a horizontal vertical grid. A modern scholar describes it thus: “The walls of Surame are about 10 miles in circumference and include many large bastions or walled suburbs running out at right angles to the main wall. The large compound at Kanta is still visible in the centre, with ruins of many buildings, one of which is said to have been two-storied. The striking feature of the walls and whole ruins is the extensive use of stone and tsokuwa (laterite gravel) or very hard red building mud, evidently brought from a distance. There is a big mound of this near the north gate about 8 feet in height. The walls show regular courses of masonry to a height of 20 feet and more in several places. The best preserved portion is that known as sirati (the bridge) a little north of the eastern gate . . . The main city walls here appear to have provided a very strongly guarded entrance about 30 feet wide.”

63. The Nigerian city of Kano in 1851 produced an estimated 10 million pairs of sandals and 5 million hides each year for export.

64. In 1246 AD Dunama II of Kanem-Borno exchanged embassies with Al-Mustansir, the king of Tunis. He sent the North African court a costly present, which apparently included a giraffe. An old chronicle noted that the rare animal “created a sensation in Tunis”.

65. By the third century BC the city of Carthage on the coast of Tunisia was opulent and impressive. It had a population of 700,000 and may even have approached a million. Lining both sides of three streets were rows of tall houses six storeys high.

66. The Ethiopian city of Axum has a series of 7 giant obelisks that date from perhaps 300 BC to 300 AD. They have details carved into them that represent windows and doorways of several storeys. The largest obelisk, now fallen, is in fact “the largest monolith ever made anywhere in the world”. It is 108 feet long, weighs a staggering 500 tons, and represents a thirteen-storey building.

67. Ethiopia minted its own coins over 1,500 years ago. One scholar wrote that: “Almost no other contemporary state anywhere in the world could issue in gold, a statement of sovereignty achieved only by Rome, Persia, and the Kushan kingdom in northern India at the time.”

68. The Ethiopian script of the 4th century AD influenced the writing script of Armenia. A Russian historian noted that: “Soon after its creation, the Ethiopic vocalised script began to influence the scripts of Armenia and Georgia. D. A. Olderogge suggested that Mesrop Mashtotz used the vocalised Ethiopic script when he invented the Armenian alphabet.”

69. “In the first half of the first millennium CE,” says a modern scholar, Ethiopia “was ranked as one of the world’s greatest empires”. A Persian cleric of the third century AD identified it as the third most important state in the world after Persia and Rome.

70. Ethiopia has 11 underground mediaeval churches built by being carved out of the ground. In the twelfth and thirteenth centuries AD, Roha became the new capital of the Ethiopians. Conceived as a New Jerusalem by its founder, Emperor Lalibela (c.1150-1230), it contains 11 churches, all carved out of the rock of the mountains by hammer and chisel. All of the temples were carved to a depth of 11 metres or so below ground level. The largest is the House of the Redeemer, a staggering 33.7 metres long, 23.7 metres wide and 11.5 metres deep.

71. Lalibela is not the only place in Ethiopia to have such wonders. A cotemporary archaeologist reports research that was conducted in the region in the early 1970’s when: “startling numbers of churches built in caves or partially or completely cut from the living rock were revealed not only in Tigre and Lalibela but as far south as Addis Ababa. Soon at least 1,500 were known. At least as many more probably await revelation.”

72. In 1209 AD Emperor Lalibela of Ethiopia sent an embassy to Cairo bringing the sultan unusual gifts including an elephant, a hyena, a zebra, and a giraffe.

73. In Southern Africa, there are at least 600 stone built ruins in the regions of Zimbabwe, Mozambique and South Africa. These ruins are called Mazimbabwe in Shona, the Bantu language of the builders, and means great revered house and “signifies court”.

74. The Great Zimbabwe was the largest of these ruins. It consists of 12 clusters of buildings, spread over 3 square miles. Its outer walls were made from 100,000 tons of granite bricks. In the fourteenth century, the city housed 18,000 people, comparable in size to that of London of the same period.

75. Bling culture existed in this region. At the time of our last visit, the Horniman Museum in London had exhibits of headrests with the caption: “Headrests have been used in Africa since the time of the Egyptian pharaohs. Remains of some headrests, once covered in gold foil, have been found in the ruins of Great Zimbabwe and burial sites like Mapungubwe dating to the twelfth century after Christ.”


76. Dr Albert Churchward, author of Signs and Symbols of Primordial Man, pointed out that writing was found in one of the stone built ruins: “Lt.-Col. E. L. de Cordes . . . who was in South Africa for three years, informed the writer that in one of the ‘Ruins’ there is a ‘stone-chamber,’ with a vast quantity of Papyri, covered with old Egyptian hieroglyphics. A Boer hunter discovered this, and a large quantity was used to light a fire with, and yet still a larger quantity remained there now.”

77. On bling culture, one seventeenth century visitor to southern African empire of Monomotapa, that ruled over this vast region, wrote that: “The people dress in various ways: at court of the Kings their grandees wear cloths of rich silk, damask, satin, gold and silk cloth; these are three widths of satin, each width four covados [2.64m], each sewn to the next, sometimes with gold lace in between, trimmed on two sides, like a carpet, with a gold and silk fringe, sewn in place with a two fingers’ wide ribbon, woven with gold roses on silk.”

78. Southern Africans mined gold on an epic scale. One modern writer tells us that: “The estimated amount of gold ore mined from the entire region by the ancients was staggering, exceeding 43 million tons. The ore yielded nearly 700 tons of pure gold which today would be valued at over $******7.5 billion.”

79. Apparently the Monomotapan royal palace at Mount Fura had chandeliers hanging from the ceiling. An eighteenth century geography book provided the following data: “The inside consists of a great variety of sumptuous apartments, spacious and lofty halls, all adorned with a magnificent cotton tapestry, the manufacture of the country. The floors, cielings [sic], beams and rafters are all either gilt or plated with gold curiously wrought, as are also the chairs of state, tables, benches &c. The candle-sticks and branches are made of ivory inlaid with gold, and hang from the cieling by chains of the same metal, or of silver gilt.”

80. Monomotapa had a social welfare system. Antonio Bocarro, a Portuguese contemporary, informs us that the Emperor: “shows great charity to the blind and maimed, for these are called the king’s poor, and have land and revenues for their subsistence, and when they wish to pass through the kingdoms, wherever they come food and drinks are given to them at the public cost as long as they remain there, and when they leave that place to go to another they are provided with what is necessary for their journey, and a guide, and some one to carry their wallet to the next village. In every place where they come there is the same obligation.”

81. Many southern Africans have indigenous and pre-colonial words for ‘gun’. Scholars have generally been reluctant to investigate or explain this fact.

82. Evidence discovered in 1978 showed that East Africans were making steel for more than 1,500 years: “Assistant Professor of Anthropology Peter Schmidt and Professor of Engineering Donald H. Avery have found as long as 2,000 years ago Africans living on the western shores of Lake Victoria had produced carbon steel in preheated forced draft furnaces, a method that was technologically more sophisticated than any developed in Europe until the mid-nineteenth century.”

83. Ruins of a 300 BC astronomical observatory was found at Namoratunga in Kenya. Africans were mapping the movements of stars such as Triangulum, Aldebaran, Bellatrix, Central Orion, etcetera, as well as the moon, in order to create a lunar calendar of 354 days.

84. Autopsies and caesarean operations were routinely and effectively carried out by surgeons in pre-colonial Uganda. The surgeons routinely used antiseptics, anaesthetics and cautery iron. Commenting on a Ugandan caesarean operation that appeared in the Edinburgh Medical Journal in 1884, one author wrote: “The whole conduct of the operation . . . suggests a skilled long-practiced surgical team at work conducting a well-tried and familiar operation with smooth efficiency.”

85. Sudan in the mediaeval period had churches, cathedrals, monasteries and castles. Their ruins still exist today.

86. The mediaeval Nubian Kingdoms kept archives. From the site of Qasr Ibrim legal texts, documents and correspondence were discovered. An archaeologist informs us that: “On the site are preserved thousands of documents in Meroitic, Latin, Greek, Coptic, Old Nubian, Arabic and Turkish.”

87. Glass windows existed in mediaeval Sudan. Archaeologists found evidence of window glass at the Sudanese cities of Old Dongola and Hambukol.

88. Bling culture existed in the mediaeval Sudan. Archaeologists found an individual buried at the Monastery of the Holy Trinity in the city of Old Dongola. He was clad in an extremely elaborate garb consisting of costly textiles of various fabrics including gold thread. At the city of Soba East, there were individuals buried in fine clothing, including items with golden thread.

89. Style and fashion existed in mediaeval Sudan. A dignitary at Jebel Adda in the late thirteenth century AD was interned with a long coat of red and yellow patterned damask folded over his body. Underneath, he wore plain cotton trousers of long and baggy cut. A pair of red leather slippers with turned up toes lay at the foot of the coffin. The body was wrapped in enormous pieces of gold brocaded striped silk.

90. Sudan in the ninth century AD had housing complexes with bath rooms and piped water. An archaeologist wrote that Old Dongola, the capital of Makuria, had: “a[n] . . . eighth to . . . ninth century housing complex. The houses discovered here differ in their hitherto unencountered spatial layout as well as their functional programme (water supply installation, bathroom with heating system) and interiors decorated with murals.”

91. In 619 AD, the Nubians sent a gift of a giraffe to the Persians.

92. The East Coast, from Somalia to Mozambique, has ruins of well over 50 towns and cities. They flourished from the ninth to the sixteenth centuries AD.

93. Chinese records of the fifteenth century AD note that Mogadishu had houses of “four or five storeys high”.

94. Gedi, near the coast of Kenya, is one of the East African ghost towns. Its ruins, dating from the fourteenth or fifteenth centuries, include the city walls, the palace, private houses, the Great Mosque, seven smaller mosques, and three pillar tombs.

95. The ruined mosque in the Kenyan city of Gedi had a water purifier made of limestone for recycling water.

96. The palace in the Kenyan city of Gedi contains evidence of piped water controlled by taps. In addition it had bathrooms and indoor toilets.

97. A visitor in 1331 AD considered the Tanzanian city of Kilwa to be of world class. He wrote that it was the “principal city on the coast the greater part of whose inhabitants are Zanj of very black complexion.” Later on he says that: “Kilwa is one of the most beautiful and well-constructed cities in the world. The whole of it is elegantly built.”

98. Bling culture existed in early Tanzania. A Portuguese chronicler of the sixteenth century wrote that: “[T]hey are finely clad in many rich garments of gold and silk and cotton, and the women as well; also with much gold and silver chains and bracelets, which they wear on their legs and arms, and many jewelled earrings in their ears”.

99. In 1961 a British archaeologist, found the ruins of Husuni Kubwa, the royal palace of the Tanzanian city of Kilwa. It had over a hundred rooms, including a reception hall, galleries, courtyards, terraces and an octagonal swimming pool.

100. In 1414 the Kenyan city of Malindi sent ambassadors to China carrying a gift that created a sensation at the Imperial Court. It was, of course, a giraffe.